The stunt sequence of silambam (an ancient Dravidian martial art) is a treat to action aficionados. Usage of too many old songs in the film hinders the pace of the script and tend to annoy after a few occasions which is a major and evident flaw. Music helping the sentimental touch in a great way but credits to Saranya for a perfect and mature execution. Credits to the casting team for a bunch of perfect pick for an antagonist and the villainous crew. That was his profound film making style that swayed number of classics which has been luxuriating our industry. Kudos to the legendary directors Bala and Balaji Sakthivel who emphasized on reality films and literally persuaded hundreds of films and film-makers through their evergreen-classics Sethu and Kadhal, that changed the long- prevailing scenario of South Indian cinema. Though its very tedious to direct a reality film in a rural backdrop without any correlation of two great classics of modern times (subramaniyapuram and paruthiveeran), the film-maker has given his best shot. The opening scene with the death of Lal due to regional disputes and the transition of his son in the village, visualization of the songs, the actor's mannerisms and yet a number of factors in the film purely reminds us of Ameer's classic.
Inevitably, we could see the concordances of another trend-changing work, Paruthiveeran, in the base plot of the film. She is the best character artiste in and around the industry not without a reason. And needless to quote, Saranya's phenomenal performance is a vital contribution, helping the film to attain some quality.
The film is neatly paced with humor, romance and sentiments, striking a perfect balance for a commercial film. When everyone was awaiting Sasikumar's next directional venture (after his trend-setting film subramaniapuram) the director, started to substantiate his acting career with consecutive successes. The director successfully delivered his script, meeting the expectations of the crowd.
The film is swift with its comic sequences and the audience could pick it up though it was scattered into pieces and widely plot- abberative. The film is produced by Haseeb Haneef and Noushad Alathur under the banner of Grande Film Corporation.Kutti puli Rating: 2.5/5 Action Drama Debut director Muthaiah clearly making a mark with a clean commercial film. The story, script, and dialogues are written by Dinesh Pallathu. Siddique, Tamil actor Sambath, S P Sreekumar, Veena Nair, Pashanam Shaji, Ramesh Pisharody, Rizabava, Kottayam Pradeep, and Valsala Menon also include the cast. The resulting events form the plot of ‘Aadupuliaattam’. He is a well known businessman who leads a happy life with his family. When this myth continues, it affects the life of a businessman Satyajith (Jayaram). Mathangi’s spirit continues to stay on in the premises and a yogi (Om Puri) does pujas to rein in the spirit. She sacrifices her life before the deity Bhadrakali to save the life of King Udayapandyan. When Udayapandyan is defeated in a war he takes shelter at Mathangi’s bungalow. He falls in love with a huntress named Mathangi (Remya Krishnan), marries her and builds a bungalow for her near the forest. King Udayapandyan rules some provinces of Tamilnadu, 600 years back. The movie directed by Kannan Thamarakkulam features Jayaram, Remya Krishnan, and Om Puri in the lead roles. ‘Aadupuliaattam’ is a horror-humor film based on a myth that is supposed to have taken place 600 years back.
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